Skip to main content

Momento

Reclaimed
Cedarwood, Magnets, Fabric
6.75" x 2.5" x 1.25
My memory is about falling in love on a sailboat. I chose to create my to vaguely resemble a rowboat. The wood as a material is physically present in the memory, and the sturdiness of wood contrasts with the softness of the fabric in the center. The fabric is unattached and is not necessarily a permanent part of the wood. This contrast in texture and permanence reflects the difference in the characteristics of me and the man in my memory. Despite the vastly different materials, they feel similar to the touch. The fabric is soft and the wood was sanded to be smooth and as soft as I could make it. Finally, the magnets not only hold the two pieces together but, as cliche as it is, represent the magnetic attraction I felt to the sailor.

In Process

Background Research

Lenga Clayton was one of the artists I used in my research packet and mood board.

Mum - Oh How the Boat Drifts

This song reminded me of my memory and the emotions I felt processing through the memory in order to create this piece.

Stagnant Waters

This is a poem I wrote shortly after the memory took place as a way to work through my emotions. It was present in my thoughts throughout the development of this piece. The image of the poem is not legible, and I have no desire to publish this poem so there is no link, but I felt like it was one of the most important influences on my project and should be included as a source of research.




Comments

Popular posts from this blog

Fluxus Box

Life in a Suitcase Cardboard, Fabric, Cotton Batting, Spray Glue, Acrylic, Glitter Glue, Paper, Felt, Altered Children's Toys, Altered Children's Clothes 13.5” x 5” x 19” This piece was inspired by the movie The Florida Project (2017). It consists of a cardboard suitcase filled with little girls clothes and eight objects each in some way significant to themes or imagery in the movie. Each object is housed in a piece of clothing, representing how Mooney, the main character, has to compartmentalize pieces of her life even as a child. Some objects are representational, like the felt marijuana leaves and a castle painted purple to resemble the motel Mooney lives in. Other objects are not as straightforward. There is a dollar store mermaid doll that looked similar to the toys Mooney plays with in the bathtub while her mother is in the other room trading sex for money. The doll visually resembles her mother, so I took the mermaid tail off and placed fake hundred dollar b...

My Favorite Chapters

  Untitled Digital Painting But one of Turner’s favorite reds may well have been cinnabar— which he used in its manufactured form, vermilion, and which Pliny described as the result of an epic struggle by an elephant and a dragon. These two troublemakers were always fighting, Pliny recounted, and the battle eventually ended with the dragon—evidently a rather snaky one—wrapping its coils around its heavy enemy. But as the elephant fell it crushed the dragon with its weight and they both died. The merging of their blood made cinnabar. Finlay, Victoria. Color (p. 178). Random House Publishing Group. Kindle Edition.  This short tale was entirely new to me when I read it. It created a vivid image in my mind, and as someone who loves folklore and fairytales, I was drawn to creating an illustration for this story. Untitled Acrylic paint on body, photographed T he British tend to think of woad as a war paint—a symbol of the fierceness of Ancient Britons before the Romans conquered the...

All Six

  This piece, entitled All Six, consists of six pairs of fabric slippers. Each one represents a member of my immediate family. My youngest sibling is in high school and he has the shoe size of an adult man. I chose to depict our shoes as child sized, since I still cling to the image of my siblings as small kids, no matter how old we get. Downtown Saint Augustine is the landscape for this piece as it's a place full of fond memories of my family coming to visit me during my time at Flagler. While we never came to Saint Augustine as children, that childlike image of us, as we explored the city with our parents for the first time is one I hold dear. While this is my personal connection to the work, I also wanted to create a certain level of anonymity with the empty shoes, that could represent anyone from tourists roaming through the city, to a loved one you once walked with, but now only have memories of. The bottom of each shoe and closeup of stitching. My Mom walking on the fort. My ...