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Relief/Texture


While not explicitly female, there are physically feminine characteristics expressed within these pieces. The use of bright colors, abstract shapes, and stylized imagery creates a vibrant and light-hearted atmosphere which contrasts with the red and blue fibres mimicking blood and tears. This imagery is a nod to the historic oppression of women, and how the blood and tears of women facing violence is not yet a thing of the past. 






I made this piece in layers, creating a visual patchwork of dyed fabrics.


Getting close to the finish I experimented with using marker to emphasize dimension in the lips. I did not like the black lines I added to the surrounding shapes, so I ended up using embroidery to cover the marks.


To reflect the historically female associations with textiles, lace in muted tones are used. It calls back to the delicate art of lacemaking and its obvious connection to decorating women’s clothing. The neutral colors as well as the way in which these strands of lace are gathered and arranged creates a form that feels natural and connected to the body, reflecting the physical demands required for the creation of these textiles and fibres.


The tapestry primarily contains woven elements, expressing a different method of textile production which is also historically associated with women. Again, neutral tones reflect the involvement of the body in order to produce woven fabric. 







The second loom I've made. This one is constructed using the frame of a cheap canvas and some nails.


I had a stash of vintage polyester lace I knew I couldn't use for re-enacting, so I'm glad I finally got to use some of it.



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