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Showing posts from April, 2021

My Favorite Chapters

  Untitled Digital Painting But one of Turner’s favorite reds may well have been cinnabar— which he used in its manufactured form, vermilion, and which Pliny described as the result of an epic struggle by an elephant and a dragon. These two troublemakers were always fighting, Pliny recounted, and the battle eventually ended with the dragon—evidently a rather snaky one—wrapping its coils around its heavy enemy. But as the elephant fell it crushed the dragon with its weight and they both died. The merging of their blood made cinnabar. Finlay, Victoria. Color (p. 178). Random House Publishing Group. Kindle Edition.  This short tale was entirely new to me when I read it. It created a vivid image in my mind, and as someone who loves folklore and fairytales, I was drawn to creating an illustration for this story. Untitled Acrylic paint on body, photographed T he British tend to think of woad as a war paint—a symbol of the fierceness of Ancient Britons before the Romans conquered the country

All Six

  This piece, entitled All Six, consists of six pairs of fabric slippers. Each one represents a member of my immediate family. My youngest sibling is in high school and he has the shoe size of an adult man. I chose to depict our shoes as child sized, since I still cling to the image of my siblings as small kids, no matter how old we get. Downtown Saint Augustine is the landscape for this piece as it's a place full of fond memories of my family coming to visit me during my time at Flagler. While we never came to Saint Augustine as children, that childlike image of us, as we explored the city with our parents for the first time is one I hold dear. While this is my personal connection to the work, I also wanted to create a certain level of anonymity with the empty shoes, that could represent anyone from tourists roaming through the city, to a loved one you once walked with, but now only have memories of. The bottom of each shoe and closeup of stitching. My Mom walking on the fort. My

Seraph

Seraph is a decorative textile mask made to resemble descriptions of Biblical angels, specifically seraphim. These angels had six wings and hundreds of eyes all over their bodies. What would be a horror to behold in reality became imagery that I found comforting. Their etherial holiness and otherworldly androgyny is what draws me most to biblical angels. They're beautiful horrors I wish I could embody, which is why I chose to create a wearable piece. Early concept sketches This was my first try creating a wing with wire in it, so the final wings could be posed. Depiction of biblical Cherub (left) and Seraph (right). Both served as inspiration with the eyes and wings.