Skip to main content

Fluxus Box


Life in a Suitcase
Cardboard, Fabric, Cotton Batting, Spray Glue, Acrylic, Glitter Glue, Paper, Felt, Altered Children's Toys, Altered Children's Clothes
13.5” x 5” x 19”
This piece was inspired by the movie The Florida Project (2017). It consists of a cardboard suitcase filled with little girls clothes and eight objects each in some way significant to themes or imagery in the movie. Each object is housed in a piece of clothing, representing how Mooney, the main character, has to compartmentalize pieces of her life even as a child. Some objects are representational, like the felt marijuana leaves and a castle painted purple to resemble the motel Mooney lives in. Other objects are not as straightforward. There is a dollar store mermaid doll that looked similar to the toys Mooney plays with in the bathtub while her mother is in the other room trading sex for money. The doll visually resembles her mother, so I took the mermaid tail off and placed fake hundred dollar bills inside the doll to replace the missing limb. There is a toy phone with a violent message exchanged between Mooney's mother and her mother's best friend, mimicking their physical display of violence in the film. 
There is an old flip-flop with rocks on the bottom painted to look like asphalt. It represents how Mooney, and many others in her community, are not socially mobile and at times are in some ways not physically mobile since they don't always have access to cars and must walk nearly everywhere they go. The perfume bottle has hot glue dripping from the top of the bottle, representing tears that flow down into the words "you can't be here". This calls back to how Mooney's mother sells perfume out of a plastic bag in the parking lots of fancy hotels and is run off by security. Handmade Minnie Mouse ears appear in the box to show the influence of Disneyworld in the film and how Mooney may desire to go to Disneyworld, but cannot afford it, so she can only access it through fantasy. Finally, there is a small glass jar filled with water. On it is written the time stamp of when Mooney finally breaks down into tears before being taken away from her mother at the end of the movie, letting out all the stress and pain she has been holding in throughout her experiences in the film.

In Process

Background Research






Comments

Popular posts from this blog

Personal Project - Inspiration and Concepts

  Olivia Rampaige Natalie Hall Amanda Louise Spayd The Map Is Not The Territory Charmed Kate Clark Eldritch and its origins. The word eldritch is associated with things that are non human or otherworldly. Sometimes charming, sometimes horrifying, but always surreal. The Dictionary of Obscure Sorrows  is a website and  YouTube  channel, created by John Koenig, that coins and defines  neologisms  for emotions that do not have a descriptive term. Anemoia - n. nostalgia for a time you’ve never known Rigor Samsa  -  n. a kind of psychological exoskeleton that can protect you from pain and contain your anxieties, but always ends up cracking under pressure or hollowed out by time—and will keep growing back again and again Ambedo -  n. a kind of melancholic trance in which you become completely absorbed in vivid sensory details Onism -  n. the frustration of being stuck in just one body, that inhabits only one place...

Hallowed Hair - Touch Response

"Besides being sexy to most people, head hair protects the brain from the sun's heat and ultraviolet rays, helps to insulate the skull, softens impact, and constantly monitors the world only a hair's breadth away from our body, that circle of danger and romance we allow few people to enter." Hair pg. 87 When reading this sentence, I had the mental image of hair being a kind of halo. Frequently in art,  holy figures are crowned with a halo.  This circle of light acts as shield. Since the halos frequently don't overlap, a set distance is created between the figures in the image. In some ways this happens in day to day life as well. Hair is not something that most individuals permit others to casually touch, like some people do with handshakes or hugs. In this way it creates an unspoken halo of personal space, which I depicted in a literal way, drawing inspiration of holy figures in art of the past.